![]() I admire that Domingo is a queer Black man who helps other queer Black men I felt really blessed to have a job where I was affirmed for how hard I was working. Similarly, I also don't think executive assistants usually get the appreciation they deserve for how much time and energy it takes to keep someone's calendar and meetings together.ĭomingo wasn't a typical entertainment-industry boss. I don't think people recognize how important executive assistants are in the entertainment industry. He believed in me and often told me that he couldn't wait to see what the universe did for me in my career. There were times where Domingo gave me time off to do other things, like attend panels about the industry, and he'd always encourage me to make time to do things that would grow my career. Domingo made me feel appreciated by making sure I had time to grow my career He took my word for it, as he did a lot of the time on projects he'd have me read. It was really interesting, but it didn't have what I felt Domingo would want in order to produce it. I once read a project for him about a queer youth and an alien donut shop. There were a lot of projects that came across his desk that he just didn't have time to read or engage with, so he would say to me, "Hey, read this and let me know if this is something I should be interested in." I was basically his second set of eyes. I read a lot of projects for Domingo, and he trusted my opinion I was fortunate to have Domingo as a boss because a job like that can be really stressful if you're not valued at work. He might just need to ask about an email, or a contact, or where we were on a project - and as his second set of eyes, I'd be the person to call. Other times, I've been at events where I've had to step away because Domingo was calling me. I've had to excuse myself at a breakfast meeting when Domingo was having flight issues. As an assistant in entertainment, your life stops when your boss needs help It didn't happen a lot, but it did happen. There were still times when I had to be up late working on things for him, like setting meetings for the next day. I'd usually get texts and emails from 10 a.m. He'd often ask me to set coffee or dinner dates with other actors so that things didn't feel so formal.ĭomingo was really good about not calling me outside work hours. That being said, he loves in-person meetings - he doesn't let his stardom dictate how he interacts with others. He also hates back-to-back meetings - I did my best to start his day around 8 or 9 a.m. Domingo is very much a morning person, so he loved for all of his meetings to be in the morning. Since he was traveling a lot but mostly on Eastern time, while I was on Pacific time, I had to constantly be on point with the hours. When I started working for Domingo, my job was to keep tabs on his calendar, set meetings for him, read and give feedback on scripts, and support any development projects he had. I learned Domingo's preferences right away That all happened within a week, and then I was hired. I sent over my résumé, had a meeting with two executives at AMC and its streaming service AMC Plus, then I landed the call with Domingo and Raúl Domingo, a producer and cofounder of the company. #THE SPACE IN BETWEEN ROTTEN TOMATOES SERIES#When Domingo won an Emmy for Outstanding Guest Actor in a Drama Series for " Euphoria," all I could think was that it should have come sooner. I knew his work as Victor Strand on " Fear the Walking Dead," and I was excited to see him as a lead in the " Candyman" film, which had just been announced. I would love to work with another Black and queer individual and see what I could learn.Īt this time, I'd already been a fan of Domingo. I thought: I love what he stands for, and I love that he's openly Black and queer. I made a few friends in the Hillman Grad program, and one of my connections there told me about an opportunity to be an executive assistant at Colman Domingo's production company, Edith. I think that spoke to Waithe and the work she does. My hunch is that the program really liked my response on the application as to why I wanted to be in the program - which was that I'm very passionate about representing Black, queer people's humanity in the media. #THE SPACE IN BETWEEN ROTTEN TOMATOES TV#I wanted to learn more, so in 2018 I applied and was accepted into the first iteration of the Hillman Grad Mentorship Lab program, run by Lena Waithe's production company, where I learned more about writing for TV and film. ![]()
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